FXPHD BKD212 - Background Fundamentals
English | mp4 / x264, 1003 kb/s | 960x540 | English: MP3, 48 kb/s (1 ch) | 2.94 GB
Genre: Video Training
Two terms ago we featured visual effects specialists from around the world discussing their perspective on what it takes to be a visual effects supervisor. While hugely successful, we received feedback that people wanted to go inside a real production and do a case study on a real project being made.
The complexity of doing this and the legal complications seemed, well, almost impossible. But we pulled it off. For the first time that we are aware, a production agreed to partner with fxphd to allow unparalleled access to a real production. Instead of simply filming a making of, we were THE visual effects company for the project. Last January, fxphd signed on to provide the visual effects for the mini series Red Dwarf. Shot entirely in the UK on multiple RED ONE cameras, this UK television production airs this Easter in the UK. Mike Seymour, on set as the second unit Director and Visual Effects Supervisor, discusses a major production from the inside perspective of planning, shooting and posting a major 3 part mini series. The Red Dwarf program is hugely popular in the UK pulling record audiences when it last aired. This new special finds all the original cast back for a massive intergalactic journey that returns to the guys to Earth. Shot on location at famous UK landmarks such as Coronation Street in Manchester and in studio at Pinewood Shepperton Studios. The production choose to shoot on the RED One cameras with extensive greenscreen compositing, virtual sets, digital characters and a very real and serious production schedule: from the end of principle photography until delivery fxphd delivered 262 shots in 27 days.
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