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  • Author: voska89
  • Date: 8-11-2013, 06:08
8-11-2013, 06:08

CineSamples CinePerc EPIC v.1.1 KONTAKT-SYNTHiC4TE

Category: Software » Software PC

CineSamples CinePerc EPIC v.1.1 KONTAKT-SYNTHiC4TE
CineSamples CinePerc EPIC v.1.1 KONTAKT-SYNTHiC4TE | 8.16 GB
CinePerc EPIC is the most beastly of the four CinePerc packages. This installment contains many of the largest drums recorded on film scores, games and trailers, with one main goal in mind: BIG. The scope and size of the sound produced by these drums is elegantly captured and mixed by master engineer Dennis Sands. This library includes enormous-sounding single and ensemble percussion patches to give your cues that punch they need. Trailer music composers will find themselves reaching for these patches first to get that larger-than-life sound. Hitting anything in the SONY room sounded amazing, so we hit whatever we could and it all integrates seamlessly with our other Sony-recorded libraries.


One of the highlights of this library is the ensemble hits portion. So not only did we deeply sample the individual instruments, but we had a full day of 6-10 people performing a variety of combinations of drums. We believe there is nothing like hearing a group ensemble perform together, versus stacking samples together in post production. From low beefy boom hits, to mid range crunchy hits, to hi frequency slap hits, to ensemble metal hits and full range combo hits, we think you will have the variety needed to give your music the massive sound it needs. CinePerc breaks new ground in the addition of a new LFE/SUB channel. All of the instruments requiring this additional low-end boost were mixed by Dennis Sands to contain this channel. So, for those of us with a surround and sub setup, you can send this LFE/SUB channel to your sub. Add that to the QUAD mix, and you have a near-final mix for large movie theaters. Along with the LFE channel (on most instruments), CinePerc adds in the standard Full Mix from Dennis Sands, Close, Overhead, Mid Room, Room and Surrounds. When the LFE is created (for the low frequency instruments) the Room and Surrounds transform into a QUAD Front and QUAD rear channel creating a perfect 4.1 environment specifically remixed by Dennis Sands. Check out the link below to see how different microphone positions can drastically change your mix, this also highlights how versatile our library can be. Click here to listen to the difference mixes from Full to Close.
PATCH LISTINGE01 Ensemble Full
E02 Ensemble Bass Drums + Crash
E03 Ensemble Mids + Highs
E04 Ensemble Metals + Crashes
E05 Ensemble Mahler Hammers + Stomps
E06 Ensemble Claps + Snaps
E07 Surdos
E08 Taikos
E09 Shime Daiko
E10 Djembe
E11 Gong Drum + Djun Djun
E12 Oil Drums
E13 Monster Hits
E14 Monster Swooshes


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